Marilyn Horn’s “Boy in the Van”

 

We love stories with a strong voice. That’s why we were drawn to Marilyn Horn’s “The Boy in the Van,” which follows a young narrator as she fails to befriend a boy Tehran. The lovely Arcadia Conrad performed this piece on April 11 at our Play On Words: New Horizons show.

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Marilyn Horn

Marilyn Horn is a technical editor in Silicon Valley. Her short stories have appeared in publications such as Blotterature, Marathon Review and Waccamaw, and her collection Beyond the Fence was published in 2016 by Thinking Ink Press. 

 

What inspired you to participate in Play On Words?

I’ve had other stories (“Snake,” “April in Paris,” and “Neighbor”) performed by Play on Words. There’s nothing quite like hearing your words being interpreted by those fantastic POW players.

Which writers or performers inspire you?

Lately I’ve been inspired by Donna Tartt and Kobayashi Issa. That may change.

Name a book or performance that fundamentally affected you.

Elizabeth Taylor in Who’s Afraid of Virginia Woolf? You need to check that out if you haven’t already.

Stay tuned to watch footage from our April 11 show and discover ways to participate in future events.

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Valerie Fioravanti’s “Glove”

About last night:

We filled Cafe Stritch with artists, writers, performers, volunteers, and friends, old and new. It feels so good to see our community expanding–blossoming in ways we never expected. In the coming weeks and months we’ll be sharing content from Play On Words: New Horizons, and until then, we’d like to feature a few more of the writers whose work we shared onstage last night.

Play On Words exists in part because of something Valerie Fioravanti said to Julia Halprin Jackson way back in 2013. Valerie is the artistic genius behind Sacramento Stories on Stage, an organization which produces short fiction in the heart of our capital city. Julia had driven 100 miles to see work by the writer Alex Russell performed in Sacramento, and remarked that she wished that there was a Stories on Stage in her own neighborhood. Valerie looked at her and said,”You could start one. That’s what I did.”

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Valerie Fioravanti

Five years later, we were delighted to work with Valerie once again. Valerie is the author of the linked story collection Garbage Night at the Opera. Her fiction and creative nonfiction have appeared in many literary journals, including North American Review, Cimarron Review, and LUMINA. She has been nominated for a Pushcart Prize eight times. Her story Garbage Night at the Opera received special mention in the anthology. A former Fulbright Fellow in creative writing to Italy, she has won the Chandra Prize for Short Fiction and the Tillie Olsen Short Story Award. Valerie had two stories recently published in North American Review. She wrote about social bubbles and her second collection on their blog.

 

We first performed Valerie’s work in 2015, and were thrilled to bring her new piece, “Toilet Paper Glove,” to light last night at Cafe Stritch. We’ll share footage from this in the next several weeks. Until then, Valerie was kind enough to answer some questions for us.

 

What inspired you to participate in Play On Words?

Have to check on my literary children every once in a while 😉.

Which writers or performers inspire you?

I’m blown away by Karen Bender. She’s a teacher, mom, editor, writer, and committed social activist. I suspect there are five of her. Or I’m a sloth. One of these statements must be true.

Name a book or performance that fundamentally affected you.

Tillie Olsen’s Tell Me A Riddle blew me away as a teenager. It was the first time I read work about working class characters from the female perspective, and those moments of literary recognition are so important for a young writer, even one who hasn’t yet articulated her desire to write.

Thank you to all of the writers, performers, artists and volunteers who joined us last night. Stay tuned to access footage from last night’s show and learn how to participate in upcoming events.

Our New Horizons

On Monday night we gathered to rehearse for tonight’s show and the air crackled with electricity. Each story, poem and piece is dynamite, and our seasoned cast is more than ready to light up the stage at Cafe Stritch. Play On Words has existed for five years, and in that time we’ve gotten to meet so many amazing artists, writers, performers and patrons of the arts. Every show is special and every show is different. Tonight we bring Play On Words: New Horizons to life.

29790535_1241367555997066_1930253660190529930_nJoin us at 7 pm to witness amazing performers read work by the following fabulous writers:

1) “Teacher of the Year” by Arcadia Conrad

performed by Melinda Marks

2) “The Boy in the Van” by Marilyn Horn-Fahey
performed by Arcadia Conrad
3) “Dear Espanol” by Anjela Villareal Ratliff
performed by Ivette Deltoro
4)  “Bearded Lady” by Allison Landa
performed by Laurel Brittan
5) “Pence” by Michelle Myers
performed by Michael Weiland
6) “Receiptless” by Dallas Woodburn
performed by Jeremy Ryan
7)” Bleeding Heart” by Christina Shon
performed by Laurel Brittan
8) “Rite of Passage” by Tania Martin
performed by Arcadia Conrad
10 MIN BREAK
9) “Your Superpower” by Ann Hillesland
performed by Ivette Deltoro
10) “Construction” by Jon Ford
performed by Adam Weinstein
11) “Sister Fowl” by Maria Judnick
performed by Ivette Deltoro
12) “Toilet Paper Glove” by Valerie Fioravanti
performed by Melinda Marks
13) “Birthday” by Valerie Castro Singer
performed by Laurel Brittan
14) “Fisherman and the Cloak” by Charlene Logan Burnett
performed by Ron Feichtmeir
15) “Journalissimo” by Griffin Lamachy
performed by Michael Weiland
New Horizons will also feature live drawing by Michelle Frey (Instagram/boule_miche and @michellange on Twitter) and Clifton Gold of Luna Park Arts. Michelle teaches weekly live drawing classes at the School of Visual PhilosophySpecial thanks to our photographer Branden Frederick and videographer Ryan Alpers.

Michelle Myers’ “Pence”

The most interesting and surprising work can arise when a writer responds to a prompt. When we read Michelle Suzanne Myers’ short piece, “Pence,” we were amazed by how many reactions we had in just a few paragraphs. Regardless of your politics, sometimes the juxtaposition of empathy and revulsion, curiosity and disgust, can make for the most thought-provoking work. We look forward to performing Michelle’s hilarious piece tomorrow at Play On Words: New Horizons.

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Michelle Myer

Born in San Jose, whilst it was still the Valley of the Heart’s Delight, and once more a current proud resident, Michelle supports her meandering writing journey as a bilingual psychotherapist in private practice. She holds degrees from the University of San Francisco and Santa Clara University. After graduating with a sociology degree from USF, Michelle headed to Dallas, Texas to do legal aide work with refugees as a Jesuit Volunteer. She then escaped the U.S. to Sao Paulo, Brazil for four years where volunteering in support of women and girls. Michelle was fortunate enough to learn about social justice, human rights, and mysticism in her early spiritual formation, and she still has hope for the loving transformation of this world. Like her paternal grandfather, she loves birds and walking the hills. Unlike her grandfather, she loves salsa and Afro-Brazilian music, movement, and dance. Michelle credits the wise, wild women of her Friday morning writing group with giving her the courage to reveal her writing to the public.

Her piece “Communion on the Road” will be published in summer 2018 in Sanctuary, an anthology published by Darkhouse Books of Niles, California.

Michelle shared some of her thoughts with us in advance of tomorrow’s show.

What inspired you to participate in Play On Words?

My wonderful writing professor, poet Lita Kurth encouraged me to submit this piece.  Also, I felt compelled to submit it as I believe we all must promote the idea that love indeed overcomes hatred.  

Which writers or performers inspire you?

Barbara Kingsolver, Mary Oliver, theologian Dr. Kristin Heyer, Ph.D, and sociologist Dr. Laura Nichols, Ph.D, Eduardo Galeano, Joyce Rupp, Rainer Maria Rilke, Natalie Goldberg, Chimamanda Ngozi Adichie, Teresa of Avila, Rumi, Hafiz, and Anne Lamott.

Name a book or performance that fundamentally affected you.

Women in Praise of the Sacred:  43 Centuries of Spiritual Poetry by Women, edited by Jane Hirshfield.

Want to see us perform “Pence” live? Join us tomorrow at Cafe Stritch!

Under “Construction” with Jon Ford

The freedom of being in a new place can take a character in many directions. We were compelled by Jon Ford‘s”Construction,” a short story that depicts the liberating and at-times heartbreaking explorations of a young gay man visiting New York City for the first time. We’re looking forward to performing this piece on Wednesday at Play On Words: New Horizons.

 

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Jon Ford

Jon is a writer from New York City, an area which informs much of his work. Formerly an actor in theaters across the country, he studied English and Creative Writing at Hunter College and received a Masters in Creative Writing from the University of California – Davis.  Jon received a number of scholarships and fellowships during his academic period and is currently working on two writing projects, The Tenth Ward, and a shorter detective novel, The Tinker’s Damn, which is set in Manhattan’s Hells Kitchen neighborhood.

His publications, honors and awards include:

  • “The Return” – The Olive Tree Review, Fall 2011, No. 46, Hunter College, New York, NY
  • “Moving Day” – The Olive Tree Review, Fall 2007, No. 40, Hunter College, New York, NY
  • Residencies at Virginia Center for the Creative Arts, Ragsdale, and The Writers’ Colony at Dairy Hollow.

Jon answered a few questions for us from his NYC home in advance of this week’s event.

What inspired you to participate in Play On Words?  

While I’ve often read my work aloud I was intrigued with the prospect of having someone else interpret my work and see the results a different point of view would bring to the piece.

Which writers or performers inspire you?

This sounds a bit corny, but my mother read aloud to me when I was growing up and she inspired my interest in reading, writing, and the arts in general.  Later, she began writing children’s stories and had a number of children’s books, poems, and memoir pieces published. She seemed to write simply because she loved doing it and I try to keep that mindset in my own work.

Name a book or performance that fundamentally affected you.

It’s hard to pick only one. I live in New York City in the theater district so I am lucky enough to be constantly exposed to new (and old) plays which keep me hungry to write.  Also, my reading interests are spread all across periods and genres. However, I recently saw a new production of Angels in America and the play’s wide scope of social ideas combined with the tight, intense understanding of its characters really fired me up.

Want to hear his work performed aloud? Join us Wednesday at Cafe Stritch

Griffin’s Question: To Journal or Not to Journal?

Just what does the writing process look like–and how our creative habits carry over into our personal lives? We were taken by John “Griffin” Lamachy’s hilarious piece, “Journalissimo,” which we will be performing on Wednesday at Play On Words: New Horizons.

29790535_1241367555997066_1930253660190529930_nGriffin describes himself as a “former screenwriter, filmmaker, video producer, musician, slam poet, stand-up comedian, Mahjongg champion…. Okay, maybe not former … just on hiatus.” He is currently working on a full-length stage place that he plans to produce locally–so stay tuned. He shared a few thoughts about himself for us today.

What inspired you to participate in Play On Words?

My wife, Arcadia Conrad, an excellent writer and performer, has been involved.  And I like what POW has to offer the downtown scene, as well as the local writing and performing community.  It’s always fun to see how one artist interprets another’s work, and unless one writes for theatre or film, one never gets to hear one’s work heard aloud.

Which writers or performers inspire you?

Inspiration comes from everywhere for me.  I just look for truth without a lot of embellishment.

Name a book or performance that fundamentally affected you.

This question haunts me, because you never hear the bullet that kills you.      

Want to see us perform Griffin’s work? Join us Wednesday at Cafe Stritch.         

Maria Judnick’s Fowl Play

It’s not every day that you read a story written from the perspective of a chicken–and a dark, slightly absurd one at that. We were blown away by Maria Judnick’s “Sister Fowl,” a macabre, fascinating and funny piece that we plan to perform next Wednesday at Play On Words: New Horizons.

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Maria Judnick

Maria is a Bay Area freelance writer and educator whose work can be found at KQED Pop!, The Santa Clara Weekly, and various literary journals. She enjoys participating in local reading series. During the summers, Maria coordinates National Endowment for the Humanities institutes for teachers. 

Publications, Honors or Awards:

Book Chapters:

  • ‘The Name of Hitchcock!  The Fame of Steinbeck!’: The Legacy of Lifeboat. (Chapter 12). 2014.
  • Hitchcock and Adaptation: On the Page and Screen.  Ed. Mark Osteen. Rowman & Littlefield. 2014.

Essay:

  • “We Should All Be More Like Steve Martin.” The Critical Flame: A Journal of Literature and Culture. Issue 50: September / October 2017. “A New Monument.” Guest Editor Ricco Siasoco. Ed. Daniel Evans Pritchard.

Poem:

  •  “A Directed Path.” Cordoba Magazine. (pdf) 2017

Flash Fiction:

  • A Swim Lesson.” Gemini Magazine Flash Fiction Contest 2015. Honorary Mention and honorarium

Interview:

“Maria Judnick Interviews Linda Spalding.”  MARY: A Journal of New Writing.  2013

“Maria Judnick Interviews Rebecca Solnit.” 2012

 Ongoing projects:

She is also is one of the editors of Activate, the chapbook we produced in partnership with San Jose’s Flash Fiction Forum earlier this year.

Follow SJSU’s Writing Center on Instagram at @sjsuwc and check out their blog 

Maria kindly answered some questions for us in advance of the show.

What inspired you to participate in Play On Words?

I love celebrating local artists and writers – San Jose is a vibrant community for the arts!

Which writers or performers inspire you?

How much time do you have?  There are so many writers that have influenced me over the years and mentored me.  

Name a book or performance that fundamentally affected you.

I recently discovered Amy Krouse Rosenthal’s Encyclopedia of an Ordinary Life and I found myself quite moved by some of the entries. I’m envious of the great things she did with that format too!

Want to see Maria’s work performed live? Join us at 7 pm next Wednesday, April 11, at San Jose’s Cafe Stritch.

Charlene’s “Cloak”

Sometimes we are drawn to stories because of their premise or pacing; other times we are compelled by a singular and unique voice, one we hadn’t heard before. When we received “The Fisherman and the Cloak” by Charlene Logan Burnett, we were struck by the story’s tone, tenor and unusual, Aesop’s fable-turned-Nordic-fairy-tale rhythm. We look forward to performing this piece a week from today at our New Horizons show at Cafe Stritch.

 

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Charlene Logan Burnett

Charlene Logan Burnett writes fiction and poetry. Her work has appeared or is forthcoming in Witness Magazine, Blackbird, Natural Bridge, RHINO, WomensArts Quarterly, and other magazines and journals. She was a writing fellow at the MacDowell Colony and a Pushcart Nominee. She earned an M.F.A. in Playwriting from the University of California, Davis.

She has been a finalist in a number of short fiction contests, including the 2017 Katherine Anne Porter Prize for Fiction, sponsored by Nimrod International Journal, the 2017 Nelligan Prize for Short Fiction, sponsored by Colorado Review, and the 2017 Howard Frank Mosher Short Fiction Prize, sponsored by Hunger Mountain.

“The Fisherman and The Cloak,” published in Menacing Hedge, was nominated for a Pushcart Prize in 2013. Charlene graciously shared some insight with us.

What inspired you to participate in Play On Words?

I had an English professor who used to read from a women’s fiction anthology to our class. It was a magical hour. Often, stories that move me to tears are spoken. The pace is slower. The space feels more intimate than a page. The words seem to penetrate deeper inside me.

Which writers or performers inspire you?

For this particular piece, I would say Angela Carter. Flannery O’Connor remains one of my favorites.

Name a book or performance that fundamentally affected you.

I went back to college as an adult with a small child. I had to take a remedial English class to catch up. The teacher used to read aloud to us from the fiction anthology, Women and Fiction: Short Stories By and About Women. It was my first experience listening to the words of women writers like Grace Paley and Margaret Drabble. They wrote about people I knew. It was in that class I decided to write. The paperback book, although falling apart, is still on my shelf.

Want to see Charlene’s work performed aloud? Join us at 7 pm on Wednesday, April 11 at San Jose’s Cafe Stritch. Hope to see you there!

Introducing Dallas Woodburn

Can you “return” love? What about your heart? Dallas Woodburn’s wonderful piece, “Receiptless,” explores what happens when heartbreak comes alive. We can’t wait to read her work at A New Horizon, our  April 11 show at Cafe Stritch .

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Dallas Woodburn

The year we launched Play On Words, Dallas was a Steinbeck Fellow in Creative Writing at San Jose State University. She has published work in Zyzzyva, The Nashville Review, and The Los Angeles Times, among many others, and her plays have been produced in Los Angeles, South Lake Tahoe, and New York City. Her debut short story collection Woman, Running Late, in a Dress won the 2018 Cypress & Pine Short Fiction Award and was recently published by Yellow Flag Press. Dallas is the founder of Write On! Books, an organization that empowers youth through reading and writing endeavors. Awards include the WordWave Playwriting Contest, the international Glass Woman Prize, and a second place American Fiction Prize. She blogs weekly at daybydaymasterpiece.com

We are delighted to perform her piece, “Receiptless,” next Wednesday, April 11, 7 pm at San Jose’s Cafe Stritch.

What inspired you to participate in Play On Words?

I love the idea of collaborating with other artists and bringing new life to the written word onstage!

Which writers or performers inspire you?

I was incredibly moved when I watched the performance by Laurel Brittan of Arcadia Conrad’s piece “308 on 308” on your blog. Gave me goosebumps!

Name a book or performance that fundamentally affected you.

I was fortunate enough to attend a reading by Maya Angelou and her profound grace and wisdom swept through the large auditorium – everyone was stilled, hushed. Her presence was magnetic and intimate and beautiful.

I also loved a performance I attended in London of the play Woman in Black, which illustrated the amazing power of words to hold us spellbound in our imaginations. The entire play is presented as a story that is being told to the audience, with a very minimalist set design, and yet your brain fills in all the details and you feel wholly transported into the story.

We hope you can join us next week to see Dallas’ work performed. Come early and snag a copy of her new book, Woman, Running Late, in a Dress.