This year marks our fifth anniversary of producing original content in the Bay Area. Every year, we’ve been lucky enough to find great collaborators–our 50+ contributing writers, many of whom we’ve gotten to perform more than once; our 20+ amazing actors, working professionals who perform regularly in San Jose and beyond; and the community partners who have exposed us to new opportunities, venues, and artists. For our 2018-2019 season, we’re thrilled to announce that Play On Words is partnering with the San Jose Museum of Art as part of its “New Terrains: Mobility and Migration” exhibit.
Through “New Terrains”, South Bay arts organizations band together to present a series of cross-disciplinary exhibitions, programs and experiences that explore how bodies move through spaces–social, political, literal and figurative. Projects address timely topics such as transportation and urban planning, navigation and orientation, public protest, immigration and migration, and mobility in its many forms. With expanding partnerships, “New Terrains” will embrace multidisciplinary thinkers and cultural producers through a growing range of events. Collaboratively presented through spring of 2019 by organizations of all sizes and types–from museums and artist residencies to community centers and civic think tanks–events and programs will take place across the greater Silicon Valley.
We are thrilled to throw our artistic hat in the ring, and can’t wait to learn from the multitudes of creative partners involved in this exhibit. Play On Words plans to host at least one (and hopefully more) performance as part of this show, and we will be sharing a call for submissions on the theme New Terrains: Mobility and Migration in the coming months.
Until then, we encourage you to check out the amazing programming at the San Jose Museum of Art–and if you have a short work of fiction, nonfiction, poetry or theater that responds to this theme at the ready, feel free to send it along for consideration at email@example.com.
We fell in love with Charlene Logan Burnett’s mythic “The Fisherman and the Cloak” this year and were lucky enough to find the perfect person to perform it. Many thanks to the talented Ronald Feichtmeir, who made his Play On Words debut on April 11 at Cafe Stritch:
Many thanks to Ronald for capturing the tone and tenor of Charlene’s beautifully written story. To read more of her work, check out “Boardwalk ’62,” published this spring in Blackbird magazine.
Our next Play On Words show will be a one-of-a-kind theatrical experience taking place on August 29 at Redwood City’s Dragon Theatre. Stay tuned in the next few weeks to learn more!
What freedom–what mischief–can one young man find when he is in New York for the first time? We are grateful to the talented Adam Weinstein for performing “Construction” by Jon Ford on April 11th at Cafe Stritch:
Talk about new horizons. Big thanks to Adam for loaning us his voice and to Jon for trusting us with his story.
Rites of passage can occur at any age. Just ask the narrator of Tania Martin‘s “Rites of Passage,” who is learning to ride a motorcycle alongside a gang of young men. Here is the amazing Arcadia Conrad performing Tania’s story on April 11th at Cafe Stritch:
Big thanks to Arcadia to loaning us her voice, and to Tania, co-founder of San Jose’s Flash Fiction Forum for sharing this wonderful story with us. Fans of FFF should consider submitting for their next season, starting this fall.
What happens when a young American girl in the Middle East encounters a friendly boy looking for a friend? One of two things happen, according to Marilyn Horn‘s story “The Boy in the Van.” The fabulous Arcadia Conrad performed this great piece on April 11 at our New Horizons show at Cafe Stritch:
Many thanks to Arcadia for loaning us her voice–and to Marilyn for sharing her story.
The next Play On Words show on the books is at Redwood City’s Dragon Theatre on August 29, though we are searching for a venue for a summer show before then. If you’re interested in participating in upcoming shows, shoot us an email at firstname.lastname@example.org.
We love stories with a strong voice. That’s why we were drawn to Marilyn Horn’s “The Boy in the Van,” which follows a young narrator as she fails to befriend a boy Tehran. The lovely Arcadia Conrad performed this piece on April 11 at our Play On Words: New Horizons show.
Marilyn Horn is a technical editor in Silicon Valley. Her short stories have appeared in publications such as Blotterature, Marathon Review and Waccamaw, and her collection Beyond the Fencewas published in 2016 by Thinking Ink Press.
What inspired you to participate in Play On Words?
I’ve had other stories (“Snake,” “April in Paris,” and “Neighbor”) performed by Play on Words. There’s nothing quite like hearing your words being interpreted by those fantastic POW players.
Which writers or performers inspire you?
Lately I’ve been inspired by Donna Tartt and Kobayashi Issa. That may change.
Name a book or performance that fundamentally affected you.
Elizabeth Taylor in Who’s Afraid of Virginia Woolf? You need to check that out if you haven’t already.
Stay tuned to watch footage from our April 11 show and discover ways to participate in future events.